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supported because it is a ‘useful tool for the management of the BFT fishery’ (Ambrioso &
Xandri 2015, p. 11). This argument is reinforced in a 2010 article by Emery that explores the
paradoxes of fishing for tuna in Sardinia, where heritage, economic development and marine
conservation are often in conflict (2010, p. 30). She suggests, ‘an increase in scientific
studies, such as recent investigations by Addis and his students at the University of Caglieri,
may play a key role in protecting the future of Carloforte’s tonnara’ (Emery 2010, p. 31).
The current EU proposal builds on these arguments and refers to the traps as a ‘data gold
mine’, stating that the traps provide a historical dataset of annual catches, which give us
insights into the effects of environmental variability (Ambrioso & Xandri 2015, p. 45). The
traps also provide ‘high-quality age-specific biometrics of stock biomass, for both the
sedentary and migrating fraction of the Eastern BFT stock, as well as an invaluable
component in the stock assessment models’ (Ambrioso & Xandri 2015, p. 45). Ultimately the
trap has become a baseline for fishery scientists and is gaining durability because of its
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perceived value for monitoring purposes .
The following questions arise from this situation: When located knowledge is
translated into universal facts such as a baseline for Atlantic bluefin stock, is its located,
situated and partial perspective lost? Are other partial ways of knowing, such as fisher
knowledge, relevant in the new decontextual spaces?
As I have just indicated, the EU proposal brings together three key characteristics of
the tonnare: ecological credentials, social and cultural value (mainly labour and tradition),
and scientific importance. The trap system is positioned as a system worth sustaining for
these reasons. Taking a closer look and approaching the question of sustainability from an
assemblage framework, we can look at the EU proposal and indeed the recent reconfiguration
of the trap through the idea of enduring and fleeting assemblies. Gay Hawkins and Kane Race
suggest, ‘“the social” emerges in the dynamic of both durable and fleeting assemblages’
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