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times - anthropogenic climate change, biodiversity loss, extinction. The ocean features in the

               recent area of inquiry termed the blue humanities (see Gillis, 2013). For example, the work of


               Astrida  Neimanis  travels  across  environmental  humanities  and  cultural  studies,  offering  a


               refreshing turn towards aquatic ecopolitics, exploring embodiment (2013) and representation,

               and knowledge production (2015). While the blue humanities offers a hopeful turn to the sea

               in environmental humanities, literature nonetheless has a terrestrial focus, moreover there is a


               gap in the blue humanities literature of work that engages with fisheries and more broadly

               with marine environments as an important source of food.


                       Cultural studies, my departmental “home” discipline, offers many theoretical tools to

               grapple with questions of definition as well as opportunities to analyse the epistemological


               and ontological underpinnings of sustainability. Furthermore, the discipline’s attention to the

               politics of knowledge production and representation, and systems and relations of power is

               important to an understanding of how marine sustainability issues and fishing communities


               are framed, the knowledge that comes to matter in resolving environmental conflicts, and the

               wider systems of power within which fisheries operate. Yet, regardless of its usefulness scant


               cultural studies scholarship engages with marine related topics. Elspeth Probyn's contribution

               to cultural studies is an exception. Her string of publications, the most recent being the book


               Eating the Oceans (2016) and the article How to Represent a Fish? (forthcoming), clearly

               forge a place for fisheries and marine sustainability in cultural studies. While Jodie Frawley's


               work on estuaries and fisheries in Australia is situated in the emerging field of environmental

               humanities, it also draws from cultural studies and history. Her research considers the popular


               cultures of fishing and ideas about conservation (see Frawley et al. 2012; Frawley, 2015).

                       My own contribution to cultural studies is through an original application of a series

               of theoretical and interpretative frames, drawn from cultural studies, to an everyday item - a


               can  of  tuna  -  and  to  a  fishing  practice  and  system  -  la  tonnara.    A  politic  of  knowledge






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