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times - anthropogenic climate change, biodiversity loss, extinction. The ocean features in the
recent area of inquiry termed the blue humanities (see Gillis, 2013). For example, the work of
Astrida Neimanis travels across environmental humanities and cultural studies, offering a
refreshing turn towards aquatic ecopolitics, exploring embodiment (2013) and representation,
and knowledge production (2015). While the blue humanities offers a hopeful turn to the sea
in environmental humanities, literature nonetheless has a terrestrial focus, moreover there is a
gap in the blue humanities literature of work that engages with fisheries and more broadly
with marine environments as an important source of food.
Cultural studies, my departmental “home” discipline, offers many theoretical tools to
grapple with questions of definition as well as opportunities to analyse the epistemological
and ontological underpinnings of sustainability. Furthermore, the discipline’s attention to the
politics of knowledge production and representation, and systems and relations of power is
important to an understanding of how marine sustainability issues and fishing communities
are framed, the knowledge that comes to matter in resolving environmental conflicts, and the
wider systems of power within which fisheries operate. Yet, regardless of its usefulness scant
cultural studies scholarship engages with marine related topics. Elspeth Probyn's contribution
to cultural studies is an exception. Her string of publications, the most recent being the book
Eating the Oceans (2016) and the article How to Represent a Fish? (forthcoming), clearly
forge a place for fisheries and marine sustainability in cultural studies. While Jodie Frawley's
work on estuaries and fisheries in Australia is situated in the emerging field of environmental
humanities, it also draws from cultural studies and history. Her research considers the popular
cultures of fishing and ideas about conservation (see Frawley et al. 2012; Frawley, 2015).
My own contribution to cultural studies is through an original application of a series
of theoretical and interpretative frames, drawn from cultural studies, to an everyday item - a
can of tuna - and to a fishing practice and system - la tonnara. A politic of knowledge
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