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environmental determinist position (structuralist, symbolic, cultural relativism and
constructivism). For instance, in a cultural relativist stance, anthropologist and advocate of
cultural relativism Franz Boas suggested that the colour of seawater involves a cultural act of
construal (in Helmreich 2011, p. 133). Indeed the Boasnian concept of culture functioned to
distance anthropology from the disciplines of biology and psychology (Bennett 2015, p. 552).
By extending the nature/culture critique to more watery zones, marine anthropologist Stefan
Helmreich (2011) suggests that within the social sciences, not only is there a tradition of
separating nature and culture, but also of land and sea. The latter featuring in early
anthropological accounts by well-known forebears of anthropology including Bronislaw
Malinowski, Raymond Firth, Claude Lévi-Strauss and Margaret Mead, who cast a romantic
and European aesthetic on the sea and set it aside from land based theorising, in turn
strengthening the binary of culture and nature, culture and seawater (Helmreich 2011, pp.
134-135).
The point of looking briefly at these theoretical positions is to highlight that however
diverse these positions seem, each shares an assumption of the existence of a nature/culture
binary (Pálsson & Descola 1996, p.3; Whatmore 2000, p. 266). Sarah Whatmore extends
such a critique by stating that both side:
...premise their arguments on the acceptance, however unrecognized, of an a priori
purification of the things of the world according to the magnetic poles of the
“natural” and the “cultural”; the “real” and the “represented”. (2000, p. 266)
Bennett argues that culture as a universal concept coevolved with the universal concepts like
nature, society and economy (2013, p. 12). In response he asks the important question – what
are we to make of culture without its corresponding universal concepts like nature? (Bennett
2013, p. 12)
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