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responsible for) biocultural realities within the limited frame of references produced through

               disciplinary boundaries? Along with others I have argued that there is no unproblematic way


               out of a nature/culture binary. I argued this in relation to a diversity discourse that sought to


               combine  biological  diversity  with  cultural  diversity  and  generated  further  binaries  –

               tradition/modern, local/global. Towards this end, throughout this thesis I have argued for the

               necessity to research on the one hand, signs of nature and of culture and on the other hand,


               the places and processes whereby these terms are produced and mobilised for political ends.

               Val Plumwood’s (2006) notion of landscapes [or seascapes] as biocultural collaborations and


               Tony Bennett’s notion of the culture complex are useful here. The culture complex offers a

               way  to  conceptualise  the  bearing  of  a  range  of  knowledge  practices  and  institutions  in


               governing  conduct  (Bennett  2013,  p.  24).  A  biocultural  complex  turns  the  analysis  to  the

               roles played by a range of knowledge practices and institutions of nature and of culture. This

               is relevant to the governance of fish and fishers. This accounts for the productive power of


               sustainability discourses and brings into the analytical frame a fuller spectrum of culture and

               of nature.  It includes an acknowledgement of the problems of institutional modes of defining


               culture and nature, while at the same time drawing on some of the interdisciplinary tools to

               analyse  forms  of  culture  and  nature  in  practice.  The  biocultural  complex  is  a  material


               semiotic approach that accounts for material as made through and in collaboration with the

               discursive.  A  biocultural  complex  helps  us  think  about  how  to  research  nature/culture


               entanglements while also being aware of powerful discursive and institutional use of these

               concepts and importantly the actors in positions of power to define these terms.


                       By highlighting the institutions where concepts of nature and culture are made and

               reshuffled we are also highlighting who and what is involved in establishing the terms of

               sustainability.  Finally,  this  brings  us  to  the  broader  point  of  this  thesis:  what  might


               sustainability look like if some of the less powerful players were involved in defining this




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