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These arguments also suggest that the multiple sites for ethnographic fieldwork, that


               is  the  seascapes  and  landscapes  that  are  implicated  in  the  production  of  objects,  are


               biocultural collaborations –	in the sense that Val Plumwood argues when she says that ‘the

               outcome of any given landscape is at a minimum a biocultural, a collaborative product that its

               multiple species and creative elements must be credited for’ (2006, p. 125). Likewise, the


               social is ‘simultaneously technical, architectural, textual, and natural’ (Law 1991, p.166). An

               understanding of place as a collaborative product rejects the polarisation of the domains of


               culture and matter/nature. Such an idea can be furthered through Bruno Latour’s notion of the

               “flat  social”,  which  Tony  Bennett  and  Patrick  Joyce  expand  on  when  writing  about  the

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               relationship between power and the material (in Bennett & Joyce 2010, p. 6) . They argue

               for the social to be understood as more than a backdrop to a material world, or culture to exist

               not  merely  in  terms  of  the  representational.  In  an  intellectual  departure  from  culture  as


               representation they advocate ‘the social is performed by material things just as much as by

               humans’ (2010, p. 3).



                        [I]n this “flat” social, forms of addressing the social that are part of a disciplinary
                        common sense, such as foreground and background, figure and context, actor and
                        system, and therefor micro and macro, are all dissolved. Historical outcomes and
                        events are not therefore the reflection of something else which lies hidden beneath
                        the surface of things [footnote taken out]. It is the “surface” itself that constitutes
                        the effective level at which material and semiotic relations are entangled with one
                        another. (Bennett & Joyce 2010, p. 6)



                       A methodological challenge that arises is how to research what Bennett & Joyce call

               the ‘surface’ (2010,	p.	6). If the surface consists of a configuration of social, material and


               semiotic relations, then how does one study the surface of a site? And what do we do with

               local/global scales in relation to the surface? Latour, of course, takes the network as a starting


               point. The word network ‘designate[s] a mode of inquiry that learns to list, at the occasion of






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