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component of tinned tuna. Most of the work in the illegal Indonesian mine on Bangka Island

               is done by hand (Simpson 2012 pp. 1-3), but the story of handmade tin is not as appealing as


               hand  caught  pole  and  line  tuna.  The  recent  tragedy  of  Rosnan,  a  miner  who  died  in  a


               collapsed mine in Bangka, reminds us that there are ecological and social consequences in

               these  unrecognised  places  and  things.  Not  only  are  conditions  precarious  for  workers  but

               demand  for  tin  is  pushing  mining  offshore  where  make-shift  dredges  suck  ore  from  the


               seabed  (Simpson  2012,  pp.  1-3).  These  mines  may  provide  employment  for  anywhere

               between 15,000-50,000 people on the island of Bangka and Belitung (Simpson 2012, pp. 1-


               3), but they have also caused the local fishing industry to decline. Timah, the world’s biggest

               exporter of refined tin, now gets more than 54% of its tin from the sea compared to 29% in


               2008  (Simpson  2012  pp.  1-3).  On  the  day  that  Rosnan  was  killed,  about  forty  fishermen

               marched to the gates of Timah’s headquarters in Pangkal Pinang carrying a banner declaring

               it was time ‘to restore people’s rights’ (Simpson 2012 pp. 1-3).


                       So  the  response  that  sustainability  campaigns  should  focus  on  marine  ecosystems,

               falls short when we follow the product beyond the story of the fishery, and begin to uncover


               some of these shadow things and places. The term sustainable tuna is ironic when we think

               about  the  marine  ecosystems  surrounding  Bangka.  This  irony  highlights  the  limitations  of


               traceability practices that neglect to take into account the full socio-ecological life cycle of a

               product.




               Conclusion


               Reflecting on the process of following things and stories of following, Cook et al. ask ‘where

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               exactly are the beginnings and ends of such a story? And where are the edges?’  (2006, p.

               657).  I  have  ended  this  chapter  by  suggesting  that  recent  sustainability  products  and

               campaigns actively define such beginnings, ends and edges, in the way crises are framed and






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