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conditions of its emergence. Above all the Coles eco tin encouraged me to consider how this

               product figures in a much wider and diverse assembly of sustainability practices and objects.


                       In this chapter, I begin to think about sustainability as a global assemblage made up of


               heterogeneous actors and situations. The conceptual framework of assemblage is inspired by

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               the work of Gilles Deleuze and Félix Guattari  and has been used widely in cultural studies.
               It  has  also  become  an  important  way  to  conceptualise  and  analyse  global  environmental


               problems and responses. An ocean sustainability crisis and responses to that crisis (e.g. quota,

               certification)  are  structured  in  and  through  a  sustainability  assemblage.  A  sustainability


               assemblage  includes  diverse  actors  (e.g.  fishermen,  scientists,  coast  guards,  community

               members,  journalists,  activists,  entrepreneurs,  politicians,  consumers).  It  stretches  across


               wide-ranging  institutions  (e.g.  United  Nations,  non-government  organisations,  universities,

               governments, regional fishery bodies). It involves different practices and objects (e.g. eco-

               certification,  quota,  tuna).  It  encompasses  a  range  of  objectives  (e.g.  sustainability,


               livelihoods, satisfying tastes, equality, profit, preserving tradition). And, it includes a range of

               discourses (e.g. three and four-pillar sustainability, tradition, cultural diversity). The Coles


               eco tin is merely the starting point to explore this assemblage.

                       The current chapter outlines my method of inquiry, begins to articulate my conceptual


               framing,  and  provides  historic  context  to  tuna  and  sustainability.  I  seek  to  describe  and

               advocate following (accredited to multiple scholars including Appadurai, Marcus, Cook et al.)


               and assemblic ethnography (Zigon 2015) as useful conceptual and practical tools for cultural

               studies research into environmental issues and conflicts. Following combined with assemblic


               ethnography offer a way to attune to local manifestations of a wider sustainability assemblage

               through multisite, multispecies and multi-thing ethnography. Both methods tend to approach

               social  research  from  the  starting  point  of  a  thing.  For  the  purpose  of  my  research,  in  this


               chapter, the thing is the Coles eco tin. I “open” up the tin in order to understand better how it






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